Bibliographie sélective OHADA

The right to health and the right to development are intertwined socio-economic rights that affect the well being and growth of a country’s populace. Most developing and least developed countries face challenges in ensuring access to essential medicines vis a vis the realisation of the right to health and full potential of development. Patents, provided for under the TRIPS Agreement are partly to blame for the lack of access to essential medicines as they account for the excessive pricing of medicines. Zimbabwe being a developing country currently facing dire economic and political challenges but being obliged under the International and Regional Human Rights Conventions it subscribed to, has to ensure the progressive realisation of the right to health and development. However, as a member of the TRIPS Agreement, there are limitations to the country’s ability to ensure access to medicines and healthcare for developmental purposes. This thesis has outlined the problematic provisions of the TRIPS Agreement and Zimbabwe’s attempt to use the flexibilities provided to its advantage. Zimbabwe has only put into use the flexibility of compulsory licensing and parallel importation to a limited extent; hence the recommendation that even though the country has domesticated the Agreement to its advantage, the country needs to explore other flexibilities comprehensively and promote the realisation of the rights to health and development.

La fabrication, l’utilisation et la vente aux États-Unis d’un produit couvert par un brevet américain, sans l’autorisation du breveté, constitue une contrefaçon de ce brevet. Toutefois, certains développements législatifs et des décisions de justice rendues ces dernières années ont montré que la portée d’un brevet américain pouvait être étendue à des activités se produisant en dehors du territoire américain. The unauthorized making use or sale within the United States of a product covered by a U.S. patent infringes the patent. However, in many cases damages and liability for infringing U.S. patents can extend beyond purely domestic uses to cover activities taking place far outside the United States. U.S. patents may cover activities that have little or nothing to do with the United States. Many companies are unaware of this surprisingly broad geographic reach. This article reviews such activities.

Le présent travail propose une étude approfondie de la définition de la marque renommée et de la protection dont elle bénéficie à l’heure actuelle au niveau national, à la lumière du nouveau contexte européen et international.

The maxim, that copyright law does not protect ideas, is frequently challenged when the established principles are tested against new forms of expression or exploitation of a work. The evolution of computer programs, its unique characteristics and the increasing value of software as a commodity have resulted in a strained relationship between copyright law and the public interest regarding access to the underlying ideas in a computer program. This work examines the misalliance between copyright principles and the technical nature of computer programming, with a specific focus on the act of decompiling an existing program where it is undertaken in order to understand the underlying ideas and techniques. The impetus for this analysis is the sui generis classification of computer programs in South African copyright law and the potential this offers for development of domestic law in pursuit of national policy goals. This work conducts a normative analysis of the law and the technical reality of decompilation, from the perspective that copyright law must maintain a clear separation between the idea and the expression. The review of national and foreign copyright law is, throughout, conducted with a perspective on the effect of protection and a critical examination of the degree to which the law maintains an adequate balance between the private and public interests in the protection of software. In this respect, the current legal position is evaluated and a different, normative and prodevelopmental perspective regarding decompilation is proposed. It is submitted that are balancing of interests is justified and essential in order to establish an appropriate level of fairness and, at the same time, stimulate progress in this industry. It is argued that the act of using computer code to discover its meaning should not amount to infringement in the form of reproduction or adaptation of the work. It is found that the perception of decompilation, as a form of infringement, relies on an analogy to literary work. This view, it is argued, is ill suited to the nature of computer programs, at odds with the sui generis classification in SA copyright law, causes overbroad protection and violates the idea/expression separation. In light of the technical review of decompilation, it is found that the legal basis for prohibiting decompilation as a form of infringement is narrower than commonly assumed and that copyright law principles should be reinterpreted purposefully to permit decompilation. This work advocates that decompilation must be permissible and that an exemption, in SA copyright law, which is limited to decompilation for interoperability alone, is not appropriate in light of the national developmental agenda. Therefore, an alternative exemption is proposed which accommodates the technical reality of decompilation, the public interest in access to ideas and the commercial interests of copyright owners. This approach is supported by an analysis of international copyright law and is based on the inherent flexibilities of the three-step test. The justification for the findings of this work and the proposed departure from foreign precedent is supported by a close examination of the effect of a limited decompilation exception in foreign law and the impact of legislative measures to restrict circumvention of technological protection measures.

Le principe de territorialité domine la matière de la propriété intellectuelle et en particulier celle du droit d’auteur. Si ce principe et la règle de conflit qu’il inspire, la lex loci protectionis, constituaient de véritables avancées à la fin du XIXème s., de nos jours, ils peinent à convaincre. En effet, le principe de territorialité qui est rattachable au principe de souveraineté dans sa dimension de régulation de l’ordre juridique interne subit de multiples remises en cause. Or, en raison de l’intensification des échanges transnationaux, de l’extension des marchés, de la montée des pouvoirs privés économiques, de l’exploitation dématérialisée des œuvres et notamment, la possibilité de les diffuser sur des réseaux mondiaux comme internet, la souveraineté tend à perdre en puissance. Cela oblige à questionner la pertinence d’un rattachement territorial vis-à-vis de réalités a-territoriales. Le maintien tel quel du principe de territorialité, en termes de conflit de lois, atteint alors la sécurité juridique et les attentes légitimes des parties. Le parti pris de ces travaux est celui d’une réévaluation. Il ressort en effet que le recul dans les relations transnationales du principe de souveraineté - qui sous-tend le principe de territorialité - devrait se traduire sur le plan de la règle de conflit, par un recul de ladite territorialité. A rebours de la tendance générale qui consacre l’hégémonie de la lex loci protectionis, les présents travaux proposent d’une part, d’en circonscrire la compétence dans les domaines où le principe de territorialité ne s’impose pas comme une nécessité, et d’autre part de réorienter le rattachement de manière à limiter la concurrence des lois applicables. Il s’agit, en d’autres termes, de réserver une place à l’universalisme compris comme un rempart contre la variabilité du droit applicable et l’insécurité juridique que cette variabilité pourrait emporter.

Le contrat d'édition est la convention la plus ancienne du droit d'auteur. Qualifié de "prototype" des contrats d'auteur par la doctrine spécialisée, le contrat d'édition bénéficie d'un régime rigoureux au sein du Code de la propriété intellectuelle. Pourtant, les évolutions de ces dernières décennies induites par le progrès numérique, par l'industrialisation mondialisée de la culture et par le renouveau progressif du droit civil des contrats, ont largement remis en cause la vigueur et la légitimité de cette institution pluri séculaire. Actuellement, le contrat d'édition apparaît dépassé par sa propre rationalité. Ainsi, la conjonction des différents enjeux précités justifie la tenue d'une étude renouvelée de ce contrat qui contribuera en outre à la cohérence du droit des contrats d'auteur.

Comment les droits de propriété intellectuelle (DPI), création de l’esprit, reflet de la personnalité du créateur, attachés à celui-ci ne s’éteignent pas simultanément lorsque cesse la vie de la personne par laquelle ils existent ? Telle est la question qui anime souvent les esprits lorsqu’on parle de dévolution successorale des DPI. Et pourtant, cette transmission a sa raison d’être. Elle a été consacrée par divers textes internationaux et nationaux. Mais en l’absence des règles spécifiques en la matière, il est généralement fait recours au droit commun des successions. Cependant, certains pays ont institué sans réserve au profit du conjoint survivant la totalité de l’usufruit sur le droit de suite. Or, celui-ci est la plus importante des prérogatives en matière d’arts graphiques et plastiques. C’est la seule qui rapporte des revenus à leurs titulaires et il n’est pas rare que certaines personnes aient investi exclusivement dans ces domaines. Les prérogatives patrimoniales étant temporaires, la question de savoir si l’usufruit du conjoint survivant ne porterait pas atteinte à la réserve héréditaire à toute sa logique. De cette analyse, il nous apparaît que la réserve héréditaire n’est pas garantie dans la dévolution successorale des DPI du fait de la vigueur de l’usufruit du conjoint survivant. Il s’avère alors nécessaire d’adopter des règles adaptées aux spécifiques des DPI. How the intellectual property rights (IPR), creation of the mind, reflection of the personality of the creator, attached to this one do not extinguish simultaneously when the life of the person by whom they exist ceases? This is the question that animates generally people's minds when it comes to the inheritance of IPRs. And yet, this transmission has its raison d'être. It has been consecrated by various international and national texts. But in the absence of specific rules in this area, recourse is generally had to the common law of inheritance. However, some countries have instituted the entire usufruct on the resale right for the benefit of the surviving spouse. However, this is the most important prerogative in terms of graphic and plastic arts. It is the only one that earns income for its holders and it is not uncommon that some people have invested exclusively in these areas. Of view of a temporally character of others attributes of IPRs, the question of whether the usufruct of the surviving spouse would not affect the inheritance reserve in all its logic. From this analysis, it appears to us that the hereditary reserve is not guaranteed in the inheritance of IPRs due to the strength of the usufruct of the surviving spouse. It then becomes necessary to adopt rules adapted to the specifics of IPRs.

This study examines and critiques New Zealand intellectual property protection for industrial designs, taking into account that many New Zealand industrial design owners outsource manufacture of their designs to China. Industrial design, which refers to improving the aesthetics of products to increase their marketability, is evolving conceptually and practically. In New Zealand, copyright and registered design laws each protect, respectively, the visual expression and the “eye appeal” of an original design. As design practices evolve with advances in technology however, it is increasingly evident that industrial design is about more than just visual expression or “eye appeal”. Many designers are not focusing solely on product stylisation and decoration, but on the provision of a more holistic product experience for the consumer. The development process of industrial designs from concept to marketable product is also changing, with many New Zealand industrial design owners employing increasingly efficient design development strategies. The fast-paced, cost-effective infrastructure of China is often utilised by New Zealand businesses for the manufacture of industrial designs. This study therefore sought to determine how to appropriately protect New Zealand industrial designs, in light of: a. foreseeable advances in technology; and b. the fact that many New Zealand industrial designs are manufactured in China. To answer these questions, this study examined and analysed New Zealand’s copyright and registered design laws, taking into account not only existing protections, but also factors that are likely to be of significant relevance in the future, such as the impact on industrial design from developments in 3D printing and virtual reality. The Chinese intellectual property regime for industrial designs was also examined because China is a major trading partner and often, as noted, the locus of manufacture. The study included an empirical investigation, in the form of interviews with designers and design academics as well as legal practitioners specialising in intellectual property law. The input of the interviewees, together with the legal analysis, informed a series of suggestions and recommendations for New Zealand policy and its law-makers regarding how industrial design protection can be improved. A key finding of this study was that existing legal protections do not appropriately protect increasingly holistic designs, as well as new types of designs emerging from developing fields such as virtual reality. In assessing the appropriateness of protection, the interests of industrial design owners were balanced against the public interest in protecting the public domain. It is suggested that to achieve equilibrium copyright law should be expanded to protect design expressions for all senses. Moreover, new categories of copyright protected works should be introduced to accommodate emerging design. The definition of design in registered design law should also be reconceptualised in order to acknowledge new types of designs and evolving design practices. Industrial design owners who outsource manufacturing to China can protect their designs via copyright as well as design patent. However, enforcement of intellectual property protection is unsatisfactory in many areas of China. Therefore, New Zealand industrial design owners should also employ non-legal protection strategies. Interviews with successful businesses, in the course of the empirical investigation for this study, revealed that the leveraging of existing relationships of those with already established operations in China, and intentionally splitting an industrial design’s component parts for manufacture among several factories in different locations, are useful strategies to employ.